![Filmen in Sony SLOG 3 für Filmanfänger | Wolffilms Academy Tutorial](https://i.ytimg.com/vi/R8o7T5f3UuA/hq720.jpg?sqp=-oaymwEjCOgCEMoBSFryq4qpAxUIARUAAAAAGAElAADIQj0AgKJDeAE=\u0026rs=AOn4CLB-8VmlfKVZXJFEAAGUzAqZo9CgQA)
Filmen in Sony SLOG 3 für Filmanfänger | Wolffilms Academy Tutorial
![Mastering S-LOG: Are You Using it Right? Exposing and Color Grading Tips Revealed](https://i.ytimg.com/vi/R8o7T5f3UuA/hqdefault_12266.jpg?sqp=-oaymwEjCNACELwBSFryq4qpAxUIARUAAAAAGAElAADIQj0AgKJDeAE=\u0026rs=AOn4CLAic3UAvy8ALp_GlI_YRRtSgV8WcA)
Mastering S-LOG: Are You Using it Right? Exposing and Color Grading Tips Revealed
![How to EASILY film in Sony's SLOG3 Picture Profile](https://i.ytimg.com/vi/VLbDv-uRvvE/hqdefault_0.jpg?sqp=-oaymwEjCNACELwBSFryq4qpAxUIARUAAAAAGAElAADIQj0AgKJDeAE=\u0026rs=AOn4CLCc4fFdnuhgkPrV5_zFaKBI5IOQ2g)
How to EASILY film in Sony's SLOG3 Picture Profile
![How NOT To Expose S-Log3 - And 2 Better Ways To Do It](https://i.ytimg.com/vi/L1CUmLOi60M/hq720.jpg?sqp=-oaymwEjCOgCEMoBSFryq4qpAxUIARUAAAAAGAElAADIQj0AgKJDeAE=\u0026rs=AOn4CLBSZziGsYDyLKiCCdnbHyMLbFpvBQ)
How NOT To Expose S-Log3 - And 2 Better Ways To Do It
![S-LOG 3 EXPLAINED - 5 EASY STEPS](https://i.ytimg.com/vi/L1CUmLOi60M/hqdefault_0.jpg?sqp=-oaymwEjCNACELwBSFryq4qpAxUIARUAAAAAGAElAADIQj0AgKJDeAE=\u0026rs=AOn4CLB6_C0t0zfaNmdA96y5oOTkAUo9aQ)
S-LOG 3 EXPLAINED - 5 EASY STEPS
![Wirklich so kompliziert wie alle sagen?! // SLOG3 + SONY A7IV](https://i.ytimg.com/vi/oC1oS3uAfU0/hqdefault_28866.jpg?sqp=-oaymwEjCNACELwBSFryq4qpAxUIARUAAAAAGAElAADIQj0AgKJDeAE=\u0026rs=AOn4CLCa0l1ioL9ssDns92lLJiHCcg_9Jg)
Wirklich so kompliziert wie alle sagen?! // SLOG3 + SONY A7IV
![Comparing S-Log2 and S-Log3 Colors](https://i.ytimg.com/vi/cZ_UosQnoK4/hq720.jpg?sqp=-oaymwEjCOgCEMoBSFryq4qpAxUIARUAAAAAGAElAADIQj0AgKJDeAE=\u0026rs=AOn4CLBqOLfLs0ou9TayGcyJkNrp8a1hog)
Comparing S-Log2 and S-Log3 Colors
![SLOG3 vs S-Cinetone - What’s The Difference?](https://i.ytimg.com/vi/cZ_UosQnoK4/hqdefault_10000.jpg?sqp=-oaymwEjCNACELwBSFryq4qpAxUIARUAAAAAGAElAADIQj0AgKJDeAE=\u0026rs=AOn4CLDAQJniXMmLIbQQvMcOP59E_mCZow)
SLOG3 vs S-Cinetone - What’s The Difference?
![How to EXPOSE SLOG3 Correctly - Sony A7IV - FX3 - A7sIII - FX30 - Settings \u0026 Exposure - CINEMATIC](https://i.ytimg.com/vi/eWNeYWGDvY8/hqdefault_4333.jpg?sqp=-oaymwEjCNACELwBSFryq4qpAxUIARUAAAAAGAElAADIQj0AgKJDeAE=\u0026rs=AOn4CLDYNQFpSO3EwRpriaoESNnymEdoQg)
How to EXPOSE SLOG3 Correctly - Sony A7IV - FX3 - A7sIII - FX30 - Settings \u0026 Exposure - CINEMATIC
![No More Color Grading! Perfect Sony Colors Every Time!](https://i.ytimg.com/vi/OqtrDjV66b4/hq720.jpg?sqp=-oaymwEjCOgCEMoBSFryq4qpAxUIARUAAAAAGAElAADIQj0AgKJDeAE=\u0026rs=AOn4CLBEcrsao_Y1TWmJ66bri9phevvADA)
No More Color Grading! Perfect Sony Colors Every Time!
![ARRI LogC3 Colorgrading Workflow (Verified by ARRI)](https://i.ytimg.com/vi/eQlm3qSMnwA/hq720.jpg?sqp=-oaymwEjCOgCEMoBSFryq4qpAxUIARUAAAAAGAElAADIQj0AgKJDeAE=\u0026rs=AOn4CLDJWD7yKN2EKh_rgBlnCqMmNir5Fw)
ARRI LogC3 Colorgrading Workflow (Verified by ARRI)
![How To Fix Noisy SLOG3 Footage](https://i.ytimg.com/vi/eQlm3qSMnwA/hqdefault_3133.jpg?sqp=-oaymwEjCNACELwBSFryq4qpAxUIARUAAAAAGAElAADIQj0AgKJDeAE=\u0026rs=AOn4CLCAyzDt9zC7H7vskbKbjd4D4hTAJw)
How To Fix Noisy SLOG3 Footage
![SLOG3 Rauschen vermeiden \u0026 richtig belichten](https://i.ytimg.com/vi/TiJIu1cJIiE/hq720.jpg?sqp=-oaymwEjCOgCEMoBSFryq4qpAxUIARUAAAAAGAElAADIQj0AgKJDeAE=\u0026rs=AOn4CLDFyfHaIwvTHBtug7RpIYqQEOB-MA)
SLOG3 Rauschen vermeiden \u0026 richtig belichten
![S-Cinetone better than S-Log 3? Truth is...](https://i.ytimg.com/vi/TiJIu1cJIiE/hqdefault_7933.jpg?sqp=-oaymwEjCNACELwBSFryq4qpAxUIARUAAAAAGAElAADIQj0AgKJDeAE=\u0026rs=AOn4CLB7R23S9zFDvw1MVe5EnKi-JdI01g)
S-Cinetone better than S-Log 3? Truth is...
![S-Log3 vs HLG3 with 8-bit video on a Sony a7iii](https://i.ytimg.com/vi/q_43U9RHfnY/hq720.jpg?sqp=-oaymwEjCOgCEMoBSFryq4qpAxUIARUAAAAAGAElAADIQj0AgKJDeAE=\u0026rs=AOn4CLDw54ltuVkeJkm7cUiofCYM9KeD4Q)
S-Log3 vs HLG3 with 8-bit video on a Sony a7iii
![Which Picture Profile Do I Use... and WHY!?](https://i.ytimg.com/vi/q_43U9RHfnY/hqdefault_36300.jpg?sqp=-oaymwEjCNACELwBSFryq4qpAxUIARUAAAAAGAElAADIQj0AgKJDeAE=\u0026rs=AOn4CLAV9ezM_5nX-5ZJmxtzqNjyvkoLVw)
Which Picture Profile Do I Use... and WHY!?
![THE BEST SONY S-LOG 3 FILM LUTS](https://i.ytimg.com/vi/PckE-wHfaIg/hqdefault_0.jpg?sqp=-oaymwEjCNACELwBSFryq4qpAxUIARUAAAAAGAElAADIQj0AgKJDeAE=\u0026rs=AOn4CLC6yn2vyJUS1xrhhFaCPDZ5Zc5DSA)
THE BEST SONY S-LOG 3 FILM LUTS
![MAXIMALE QUALITÄT beim Filmen mit diesen Einstellungen! A7S III, FX3, A7 IV, A7III](https://i.ytimg.com/vi/oG3T32pUbVI/hqdefault_10033.jpg?sqp=-oaymwEjCNACELwBSFryq4qpAxUIARUAAAAAGAElAADIQj0AgKJDeAE=\u0026rs=AOn4CLDrGf3UFyVoAF0LCyObrUPvEmnRLg)
MAXIMALE QUALITÄT beim Filmen mit diesen Einstellungen! A7S III, FX3, A7 IV, A7III
![Can you combine S-LOG3 with S-Cinetone? Let's Find Out...](https://i.ytimg.com/vi/0Ktq6gRcyeg/hqdefault_0.jpg?sqp=-oaymwEjCNACELwBSFryq4qpAxUIARUAAAAAGAElAADIQj0AgKJDeAE=\u0026rs=AOn4CLCOsFkQz5GcT7fQzAuCQWzuvC3ikA)
Can you combine S-LOG3 with S-Cinetone? Let's Find Out...
![Haarlem | Sony FX30 | Cineprint16](https://i.ytimg.com/vi/GfuXXAXXDek/hq720.jpg?sqp=-oaymwEjCOgCEMoBSFryq4qpAxUIARUAAAAAGAElAADIQj0AgKJDeAE=\u0026rs=AOn4CLA6xG5vCpz7rgglPr0yRBOEDCOM5Q)
Haarlem | Sony FX30 | Cineprint16
![Sony SLOG3 Color Grading Tutorial](https://i.ytimg.com/vi/GfuXXAXXDek/hqdefault_25333.jpg?sqp=-oaymwEjCNACELwBSFryq4qpAxUIARUAAAAAGAElAADIQj0AgKJDeAE=\u0026rs=AOn4CLDxTRvXuaQi159MikUAc9dbcCVCOg)
Sony SLOG3 Color Grading Tutorial
![How to Expose SLOG3 PERFECTLY Every Time! + My Picture Profile SETTINGS!](https://i.ytimg.com/vi/WHMzgGfH-wc/hqdefault_866.jpg?sqp=-oaymwEjCNACELwBSFryq4qpAxUIARUAAAAAGAElAADIQj0AgKJDeAE=\u0026rs=AOn4CLAAHqVW6omnj1xqREpkOjpVaPDERQ)
How to Expose SLOG3 PERFECTLY Every Time! + My Picture Profile SETTINGS!
![Keine Angst vor S-Log 3: Grading Workflow \u0026 Vergleich mit S-Cinetone (Update Sony A7S III | FX3)](https://i.ytimg.com/vi/6VhAyU2vUDQ/hqdefault_9866.jpg?sqp=-oaymwEjCNACELwBSFryq4qpAxUIARUAAAAAGAElAADIQj0AgKJDeAE=\u0026rs=AOn4CLAEiD_Uh7JfA95e78uB6fsqfXhKiQ)
Keine Angst vor S-Log 3: Grading Workflow \u0026 Vergleich mit S-Cinetone (Update Sony A7S III | FX3)
![How to use S-Log3 and Cine EI | Cinema Line FX30 | Sony | α](https://i.ytimg.com/vi/R_b2uCCjhfQ/hqdefault_16966.jpg?sqp=-oaymwEjCNACELwBSFryq4qpAxUIARUAAAAAGAElAADIQj0AgKJDeAE=\u0026rs=AOn4CLBNjK0Bm00SoLC2AHhacPs_Sag9oQ)
How to use S-Log3 and Cine EI | Cinema Line FX30 | Sony | α
![5 SIMPLE Tips for Shooting S-Log3! Sony S-Log3 Exposure Tips for Filmmakers](https://i.ytimg.com/vi/8QqPyp1gVvo/hqdefault_25833.jpg?sqp=-oaymwEjCNACELwBSFryq4qpAxUIARUAAAAAGAElAADIQj0AgKJDeAE=\u0026rs=AOn4CLDXe7TL_9kOrOVFn-Ib7RI1wZ3UwA)
5 SIMPLE Tips for Shooting S-Log3! Sony S-Log3 Exposure Tips for Filmmakers
![Die besten Farbprofile für Videos - HLG, S-Log und Cine2 im Vergleich (Sony Alpha Video Tutorials)](https://i.ytimg.com/vi/q3ji9gnP1yk/hq720.jpg?sqp=-oaymwEjCOgCEMoBSFryq4qpAxUIARUAAAAAGAElAADIQj0AgKJDeAE=\u0026rs=AOn4CLAIKwcmb3QJaf8n43-l_9QyXVAnxA)
Die besten Farbprofile für Videos - HLG, S-Log und Cine2 im Vergleich (Sony Alpha Video Tutorials)
![S-Log 3 vs S-Cinetone - What to choose and how to expose](https://i.ytimg.com/vi/q3ji9gnP1yk/hqdefault_2933.jpg?sqp=-oaymwEjCNACELwBSFryq4qpAxUIARUAAAAAGAElAADIQj0AgKJDeAE=\u0026rs=AOn4CLCo2DpGxHihJaVhlK1d0UrPGSMJXg)
S-Log 3 vs S-Cinetone - What to choose and how to expose
![The Best Sony Picture Profile | SLOG3 vs S-Cinetone](https://i.ytimg.com/vi/KoMOQoWiN-A/hq720.jpg?sqp=-oaymwEjCOgCEMoBSFryq4qpAxUIARUAAAAAGAElAADIQj0AgKJDeAE=\u0026rs=AOn4CLB840zIPwEsiauqcm84pnM1xqp6rQ)
The Best Sony Picture Profile | SLOG3 vs S-Cinetone
![Stop Doing It WRONG! How To PROPERLY Expose SLOG 3 | FX3 | A7SIII](https://i.ytimg.com/vi/)
Stop Doing It WRONG! How To PROPERLY Expose SLOG 3 | FX3 | A7SIII
قد يعجبك أيضا
Filmen -
in -
Sony -
SLOG -
3 -
für -
Filmanfänger -
| Wolffilms -
Academy -
Tutorial -
Mastering -
S-LOG: -
Are -
You -
Using -
it -
Right? -
Exposing -
and -
Color -
Grading -
Tips -
Revealed -
How -
to -
EASILY -
film -
in -
Sony's -
SLOG3 -
Picture -
Profile -
How -
NOT -
To -
Expose -
S-Log3 -
- -
And -
2 -
Better -
Ways -
To -
Do -
It -
S-LOG -
3 -
EXPLAINED -
- -
5 -
EASY -
STEPS -
Wirklich -
so -
kompliziert -
wie -
alle -
sagen?! -
// -
SLOG3 -
+ -
SONY -
A7IV -
Comparing -
S-Log2 -
and -
S-Log3 -
Colors -
SLOG3 -
vs -
S-Cinetone -
- -
What’s -
The -
Difference? -
How -
to -
EXPOSE -
SLOG3 -
Correctly -
- -
Sony -
A7IV -
- -
FX3 -
- -
A7sIII -
- -
FX30 -
- -
Settings -
\u0026 -
Exposure -
- -
CINEMATIC -
No -
More -
Color -
Grading! -
Perfect -
Sony -
Colors -
Every -
Time! -
ARRI -
LogC3 -
Colorgrading -
Workflow -
(Verified -
by -
ARRI) -
How -
To -
Fix -
Noisy -
SLOG3 -
Footage -
SLOG3 -
Rauschen -
vermeiden -
\u0026 -
richtig -
belichten -
S-Cinetone -
better -
than -
S-Log -
3? -
Truth -
is... -
S-Log3 -
vs -
HLG3 -
with -
8-bit -
video -
on -
a -
Sony -
a7iii -
Which -
Picture -
Profile -
Do -
I -
Use... -
and -
WHY!? -
THE -
BEST -
SONY -
S-LOG -
3 -
FILM -
LUTS -
MAXIMALE -
QUALITÄT -
beim -
Filmen -
mit -
diesen -
Einstellungen! -
A7S -
III, -
FX3, -
A7 -
IV, -
A7III -
Can -
you -
combine -
S-LOG3 -
with -
S-Cinetone? -
Let's -
Find -
Out... -
Haarlem -
| -
Sony -
FX30 -
| -
Cineprint16 -
Sony -
SLOG3 -
Color -
Grading -
Tutorial -
How -
to -
Expose -
SLOG3 -
PERFECTLY -
Every -
Time! -
+ -
My -
Picture -
Profile -
SETTINGS! -
Keine -
Angst -
vor -
S-Log -
3: -
Grading -
Workflow -
\u0026 -
Vergleich -
mit -
S-Cinetone -
(Update -
Sony -
A7S -
III -
| -
FX3) -
How -
to -
use -
S-Log3 -
and -
Cine -
EI -
| -
Cinema -
Line -
FX30 -
| -
Sony -
| -
α -
5 -
SIMPLE -
Tips -
for -
Shooting -
S-Log3! -
Sony -
S-Log3 -
Exposure -
Tips -
for -
Filmmakers -
Die -
besten -
Farbprofile -
für -
Videos -
- -
HLG, -
S-Log -
und -
Cine2 -
im -
Vergleich -
(Sony -
Alpha -
Video -
Tutorials) -
S-Log -
3 -
vs -
S-Cinetone -
- -
What -
to -
choose -
and -
how -
to -
expose -
The -
Best -
Sony -
Picture -
Profile -
| -
SLOG3 -
vs -
S-Cinetone -
Stop -
Doing -
It -
WRONG! -
How -
To -
PROPERLY -
Expose -
SLOG -
3 -
| -
FX3 -
| -
A7SIII -